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"Ni Muy Muy, Ni Tan Tan, Sim­ple­men­te, Tin Tan. Tin Tan was one of the grea­test com­de­dian-​ac­tors in the his­tory of Me­xi­can Ci­ne­ma. He be­gan his film ca­reer du­ring the early years of what be­ca­me the Gol­den Age of Me­xi­can Ci­ne­ma. Th­roughout the ma­jo­rity of his mo­vies he plays the cha­rac­ter of a pa­chu­co; the Chi­cano/Me­xi­cano in zoot suit, th­ro­wing out the ti­ri­li ph­ra­ses and words, and jam­min the jitty-​bug. With the sty­le and the slang down to a tee, he was pi­cked up in Cd. Jua­rez Chihuahua by an ac­ting trou­pe. Tou­ring ex­ten­si­vely th­rough-​out Me­xi­co with the trou­pe lan­ded him in Me­xi­co City with film con­tracts. It was in tho­se films that Tin Tan ex­po­sed the ima­ge of the pa­chu­co, which Me­xi­can Youth adop­ted. From the de­sert bor­der-​towns of Jua­rez y El Pa­so the sty­le took off in va­rious parts of the coun­try, most no­ta­bly in Me­xi­co City

Pleng and Kam have arguments. Kam complains Pleng is not sincere. Pleng has to choose between being a gangster versus being an honest military officer .

A man becomes obsessed with a woman he met briefly in his youth.

Keiichi Kaburagi is arrested as a suspect in a murder case and sentenced to death. He escaped from prison during the transfer, but while fleeing, he rescues the people he meets in his hiding place from the predicament. And when the rescued people realize that Kaburagi is a wanted death-row prisoner, they begin to wonder, "Is he really a murderer?"

Dancing through Slovak history of the twentieth century. Based on the Theatre du Campagnol performance "Le Bal" by Jean-Claude Penchenat, written by M. Huba and M. Porubjak. A dance locale - a place where people who are looking for partners come together. Lonely individuals become couples, people who were strangers not so long ago become partners and lovers. Outside, conditions change and regimes change, the country is overwhelmed by great history, the whirlwind of the World War, the communist coup, the hopeful spring of 1968, the fraternal occupation, the Hussite normalisation, November 1989 and the collapse of Czechoslovakia. Only those lonely dancers on the dance floor remain the same - with their human longings, their ridiculousness and their unfulfilled dreams.

The line of reason escaped the faith. It seems to be free but is slaughtered by others. The wandering of right and wrong draws a imprisoned life is in pursuit of a glimmer of life only. Is it a depressing paradise or a plump ideal? Retreat to pursue your own rhythm is to satirizes pathological values and love instead.

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In legendary Chen Village, everyone is a martial arts master, using their powerful Chen Style Tai Chi in all aspects of their lives. Lu Chan has arrived to train, but the villagers are forbidden to teach Chen Style to outsiders, and do their best to discourage him by challenging him to a series of fights. Everyone, from strong men to young children, defeats him using their Tai Chi moves. But when a man from the village's past returns with a frightening steampowered machine and plans to build a railroad through the village at any costs, the villagers realize they may have no choice but to put their faith in Lu Chan... who has a secret power of his own.

After a strange and devastating attack on his home, a young boy named Rai is shocked to discover he’s a secret descendent of the Tigeroids: an ancient race of peaceful beings locked in a struggle with the ruthless and cunning Dragonoids. In a parallel universe called Suhn, the Tigeroids and Dragonoids are battling furiously to recover 500 lost tai chi characters. Whoever retrieves these precious and potent symbols will possess the ultimate power to rule their realm... and destroy their enemies. As Rai hones his innate tai chi skills to fight the Dragonoids, he must find the lost tai chi and battle to become one of the champion Tai Chi Chasers!